Categories
Event History

Lucy Noakes, University of Brighton, speaks at @_UoW: “War on the Web”

Earlier this evening I attended this talk, see my “rough” notes below. Lucy Noakes was visiting the University of Winchester’s Modern History Research Centre.

BBC People’s War website 2003 – 2006.

Veteran memories, referred to as stories.

Cultural memory of the war!

Growing since 1960s. Defined variously Inc mythical debunking (least helpful). Not exclusive to people who have memories of an event. Politics propaganda etc. Underlying.

Term memory problematic. Joanna Bourke. Usually individually. Allowed or repressed according to social mores – or just for specific audiences. Hegemonic – fighting for dominance.

Ww2 constant point of reference – uses it’s been put to politically has been used in many different ways. People’s War – egalitarianism. 1960s-80s a struggle over meaning of the war – eg Patriotism for Falklands gulf war. Produced ideas to draw upon to qualify  war against terror etc. 7/7 – blitz comparison immediate & omnipresent. Partly Pre a weekend with extra day off re war!

Austerity – ww2 ideas of all in it together – being used in current crisis. DC needs reminding that last war – big move to the left. Symbols – stoicism, bravery, humour etc – policies drawn on great ideas of the past…

Memory & the Internet

Digital revolution… Growing accessibility & ubiquity – shaped role & social use of the media. Difference the web & other sites of memory. More transient – not intended to be a permanent public shared memory. Les permanent & more accessible. Material – physically imposing – specific space. New architectural vernacular… More modernist but still imposing. Designed with eye to posterity whilst saying something about culture. Experienced individually. Form can be widely different – eg try to emulate traditional sites. Traditional wall – what about able to search for names & own memories of war etc. Differnet but all shared public spaces. Behaviour diff – esp public/private space.. Emotion felt in public space or in private but made public by participating.

Websites – more participatory. May be edited but a space for otherwise marginalised or dominated memories. Sww memories – several thousand hits.    Contested memory becomes more contradictory & competing memories. Websites campaigning for physical memorials or help for specific groups.

Importance of war in peoples lives – living through history. Importance of warfare seen as important nationally at other times. National narratives with more family style memories.

The BBC website

To be archived by the British Library. Return to genealogy – families would research their families stories & that older people would not want to use technology. However – desire to tell the story – overcame any fears. Big events – encouraged contributions. Culture Online. Took buses to rural areas with 2000 volunteers – demonstrates keen interest continues. Varied style of stories – long short poems.

War continues to play part in private & public memory. Discord between 2. Continued primacy of the male combatant… Original idea was changed… 12% over 60s were using Internet at time but 80% users of the site were over 60. Hugely successful. Thought stories not worth telling or didn’t want to remember negative memories. However, liked a willing audience & a chance to tell stories.

Divided into 64 categories. Most evacuees, least women’s voluntary. Didn’t focus on historical fact – wanted stories & subjective interpretations.. Personal reflections & memories. Make visible what is usually less visible. Still absences – felt didn’t fit or… Eg only 36 conscientious objectors. None re homosexuality. Or made manageable using languages/symbols from the war – eg lights out over Britain.

Marked by fear… Has been marginalised. Eg wartime Blitz experience. Emphasises collectivity & stoicism (eg in films) rather than overriding fear. Stories emphasise the same… Repressed language of warfare 1950s. Woman’s story – catalogue of death & destruction .. But at end Hitler couldn’t get us down… Now expect counselling.

British character – seen at best during war – under pressure. Often used to negatively compare to modern day disasters. Men with active memories of active service… Particular tone – humorous understatement common to fighting men (& those from Liverpool but otherwise not humour). Descriptive language re effects on the body – quite new, eg re difficult injuries etc. Shares more of the ideas of recent films – eg Saving Private Ryan.. Handheld cameras, fear & random death – appears unmediated… Allows death to feature more positively. Would such visceral language have been used without such films?

Eg Remembrance Day – focuses on the fighting forces rather than other supporting services/civilian deaths. Plus eg service associations gives a specific memory.

No need to fight to have your story told as would in a museum but still easier if fits with dominant discourse. Cultural circuit public private stories – public frames private memories. Wanted to draw on stories for programme making. Dunkirk & D-Day particularly key – graphic realism.

Questions & Comments

Channel Islands often forgotten.

What about such websites available elsewhere?

Appeal for memories? For war? Different to memories of wartime?! Do marginal memories remain marginal? Eg sexual violence & rape in genocide. Does war set ‘boundaries’.

Stories cross referenced across categories. Still privileged are the land sea air memories. Post categorisation & can’t know how chosen.

Significance of Iraq war? Not released immediately but… Useful to have positive memories of war.

Mass Observation – responses to recent wars – all referred back to ww2.

Few comments under entries – several removed. Opens dialogue but decades old dialogue. What about new memories – exist – maybe not same funding.

Migration? Why people moved? Family histories. Results published as definitive answers from 18th C. But those who didn’t have families can’t tell a story. It’s all partial.

Continued sense of centrality – excludes all those who moved here since then.

What picture emerges from these stories – the White nation pulling together. Last legitimate war? All wars since don’t have population behind it since.

Do they say anything about Poland?

Where is Wales [lists England, Scotland, Isle of Man]?

Why no body language via video? Why text?

Can’t ask questions of them.

By Second World War Posters

Mass Communications Academic, @MMUBS. British Home Front Propaganda posters as researched for a PhD completed 2004. In 1997, unwittingly wrote the first history of the Keep Calm and Carry On poster, which she now follows with interest.

One reply on “Lucy Noakes, University of Brighton, speaks at @_UoW: “War on the Web””

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.