We continue to witness a lot of back and forth between publishers and open-access advocates about the merits of Research Councils UK’s open-access policy – but where does it leave journal editors?
Some have echoed the publishers’ fears that open access will ruin their business models or undermine journal quality by scaring off top international authors. But not all editors share this view.
I co-edit two humanities journals: one, Shakespeare, for the large commercial publisher Taylor and Francis; the other, Theatre Notebook, for a small learned society (the Society for Theatre Research). I believe that open access is both desirable and inevitable since, as we move towards virtually cost-free digital dissemination, charging readers seems increasingly unjustifiable.
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