Extract from “Chapter 2: Placing the British Experience of the Propaganda Poster in Context”

As I prepare materials for 'Film History', it seems a good time to go back to my thesis and access the section of the varying art movements leading to British graphic design styles as the Second World War broke out. (c) Bex Lewis, 2004 This next section draws on the methodological framework outlined in chapter one to think about aspects of form and style. It sees poster design as an encoding through which ‘truths’ were…