Categories
Media & Press Media - Visual

[MEDIA] Question Health: The Big C with @UCLan, hosted by @iAmLaurenMahon #YouMeBigC

Question Health: The Big C took place at UCLan, Victoria Mill, Burnley on 6 February 2019. The full debate was broadcast on Showcase, SKY Channel 192 (Free Sat Channel 161) on Wednesday 10 April 2019, 7.00pm-8.00pm.

The debate is hosted by Lauren Mahon from BBC 5 Live ‘You, Me and the Big C’. The panel consists of clinicians and academics addressing questions from the audience that cover many aspects of the diagnosis and management of cancer. Panel members:

  • Professor Kinta Beaver. Kinta is Professor of Cancer Care at the University of Central Lancashire. She has a clinical background in nursing but has been in a research post since 1991.
  • Dr Anna MacPherson. Anna is a Consultant in Palliative Medicine and works in East Lancashire Hospitals NHS Trust and is based at Pendleside Hospice in Burnley.
  • Dr Karen Oliver. Karen is a GP Partner at Lancaster Medical Practice has also been a Macmillan GP for five years at Morecambe Bay Clinical Commissioning Group.
  • Jane McNicholas. Jane has multiple job roles including Consultant Oncoplastic Breast Surgeon as well as Medical Director for the Lancashire and South Cumbria Cancer Alliance.

I met with some (not previously met) friends from BRIC. I was mentioned in the related press release, and featured on the short video asking my question (I’ve not managed to access the full programme): 

Categories
Digital

VIEWED: @WhoIsMrRobot (Series 1)

Have you managed to watch this series, Mr Robot, available on Amazon Prime since last year. I’ve managed to watch the first series over the past couple of weeks.

Elliot Alderson is a young cyber-security engineer living in New York, who assumes the role of a vigilante hacker by night. Elliot meets a mysterious anarchist known as “Mr. Robot” who recruits Elliot to join his team of hackers, “fsociety”. Elliot, who has a social anxiety disorder and connects to people by hacking them, is intrigued but uncertain if he wants to be part of the group. The show follows Mr. Robot’s attempts to engage Elliot in his mission to destroy the corporation Elliot is paid to protect. Compelled by his personal beliefs, Elliot struggles to resist the chance to take down the multinational CEOs that are running (and ruining) the world. Written by Soumik GhoshRead more on IMDB.

The thing I’d most heard about Mr Robot was that after watching it I would want to throw my digital devices away and never go online again. I don’t feel that at all – I am well aware of privacy concerns/hacker possibilities – especially via Thinking Digital conference, and although we definitely need to look at addressing those concerns, I think not going online would be the digital equivalent of agoraphobia – life is not risk free, online life is not risk free – so we should have care about what we share online, careful choice of passwords (nearly all the hackers in the film were able to crack passwords using easily guessable data), and generally learn about the environment we are on. As I may have said – just once or twice – there are so many opportunities online – let’s seize them.

I was more drawn in by questions of knowledge and of identity. In episode 3 – Elliot says that he knows everything about Shayla because he has access to all of her online space, and believes that he therefore has a bigger insight into her ‘reality’ than those who just meet her ‘offline’ self. They then meet and have a conversation about something she loves but has never put online – and he gains a new insight to her (reminded me of ‘Be Right Back‘, Black Mirror). Christian Slater, as Mr Robot, always insists on meeting Elliot offline, as the hacker group needs to ensure that they don’t leave a digital trail that has been logged and tracked. There were definitely a lot of ‘red pill/blue pill‘ moments (as per The Matrix) in the series – is innocence bliss (Elliot definitely seems to prefer his life when he is drugged out). It appears that sex, drugs and the internet is the new sex, drugs and rock’n’roll! I’m looking forward to series 2.

Categories
Digital

Do you chatterbox while you watch TV?

A new term has become popular – chatterboxing, meaning watching a TV programme while talking to others about it online.  A lot of people are doing it, mostly via Twitter

A lot of TV programmes now display their hashtag when they start as an invitation to tweet during the programme – and a lot of people do. It’s reported that some popular programmes have attracted 100s of thousands of tweets. We wanted to get a bit more insight into this phenomenon so we tracked the tweets of viewers watching one recent sporting event on a UK channel over 4 days.  We collected all the tweets and then analysed them on a daily and hourly basis.

Our findings show that although the number of tweets, compared to the size of the audience, is not large they can have a significant impact.  The numbers give an indication of the response of the audience to programme scheduling decisions and also point to how more effective use might be made of promoting the use of hashtags.

The report on the results so far is at davidr-blog.blogspot.co.uk/

Categories
History

Keep Calm and Carry On on #TheApprentice

To add hugely to your enjoyment of the #TheApprentice read the liveblog on the Guardian – very funny (and yes, she’s writing as she watches on the TV, same as the rest of us!).

Categories
Academic Digital

Dr Who on the Box

Like the Tardis, the small television box is far larger on the inside; it’s our passport to a kind of tourism, our window on wonders. Our control over the time flow of TV has increased tremendously since Doctor Who‘s first broadcast in November 1963, when we were helplessly subject to the linear direction of scheduled programmes. Back then, if you missed an episode there was rarely a second chance to see it; and indeed, a whole era of Doctor Who is lost, the flimsy materials of its film and video imperfectly stored, often taped over and never intended for posterity. Now the TV set has transmuted into various forms – tablet, PC, phone – and we can pause the show as it plays live, dip into YouTube or iPlayer archives of its past, and watch previews weeks before their terrestrial transmission.

Up to a point. Because the BBC – specifically, Doctor Who showrunner Steven Moffat – has decided to retain some of the old-fashioned suspense of Saturday night television by keeping the final instalment of this season strictly under wraps until its broadcast. Fans can revisit the most recent episodes, contextualise them through online and DVD holdings of previous series and painstakingly study the trailers, but the finale – the future of Doctor Who – still lies stubbornly ahead, retaining its enigma, and we, the viewers, can travel towards it only one day at a time.

Read the full story in the Times Higher Education.