Categories
History

Keep Calm and Carry On Exhibition (Textiles)

keep-calm-design

If the latest traveling exhibition at the Illinois Holocaust Museum & Education Center feels a bit different than others, that’s by design.

Design, in fact, is an operative word for “Keep Calm and Carry On: Textiles on the Home Front in WWII Britain” – design of period clothing, beautifully-stitched patriotic scarves, home furnishings and more.

While the idea of bringing this exhibit to the museum initially raised eyebrows — some wondered whether it was the right fit for the museum  — don’t make the mistake of casting “Keep Calm” as a mere fashion show or furniture display.

Read full story.

Categories
History

BBC2: How We Won the War

There’s a series currently in planning for BBC2, to be presented by Jules Hudson, for Autumn 2012, a travelogue across the UK uncovering civilian stories of the Second World War.

Having come across ‘The Art of War‘ at the National Archives (which they hadn’t realised was written by me), and then I guess coming across my website, I have just been in talks with them about being an expert for an episode on government propaganda (before they talk about black propaganda). I am anticipating talking about:

  • The MOI and its production/planning of posters. What purpose they thought it would achieve.
  • The artists who produced these posters, professionals, but civilians, encouraging people to partake in war.
  • Digging around in my research for reference to competitions held in factories/schools re posts.
  • Why were particular ‘famous faces’ chosen for some posters in The People’s War
  • Stats which demonstrate any effectiveness of posters, or why this can’t be established!

Look out for more info…

Categories
History

Why Work? Dorothy Sayers

Can you remember – it is already getting difficult to remember – what things were like before the war? The stockings we bought cheap and threw away to save the trouble of mending? The cars we scrapped every year to keep up with the latest fashion in engine design and streamlining? The bread and bones and scraps of fat that littered the dustbins – not only of the rich, but of the poor? The empty bottles that even the dustman scorned to collect, because the manufacturers found it cheaper to make new ones than to clean the old? The mountains of empty tins that nobody found it worthwhile to salvage, rusting and stinking on the refuse dumps? The food that was burnt or buried because it did not pay to distribute it? The land choked and impoverished with thistle and ragwort, because it did not pay to farm it? The handkerchiefs used for paint rags and kettleholders? The electric lights left blazing because it was too much trouble to switch them off? The fresh peas we could not be bothered to shell, and threw aside for something out of a tin? The paper that cumbered the shelves, and lay knee-deep in the parks, and littered the seats of railway trains? The scattered hairpins and smashed crockery, the cheap knickknacks of steel and wood and rubber and glass and tin that we bought to fill in an odd half hour at Woolworth’s and forgot as soon as we had bought them? The advertisements imploring and exhorting and cajoling and menacing and bullying us to glut ourselves with things we did not want, in the name of snobbery and idleness and sex appeal? And the fierce international scramble to find in helpless and backward nations a market on which to fob off all the superfluous rubbish which the inexorable machines ground out hour by hour, to create money and to create employment

Do you realize how we have had to alter our whole scale of values, now that we are no longer being urged to consume but to conserve? We have been forced back to the social morals of our great-grandparents. When a piece of lingerie costs three precious coupons, we have to consider, not merely its glamour value, but how long it will wear. When fats are rationed, we must not throw away scraps, but jealously use to advantage what it cost so much time and trouble to breed and rear. When paper is scarce we must – or we should – think whether what we have to say is worth saying before writing or printing it. When our life depends on the land, we have to pay in short commons for destroying its fertility by neglect or overcropping. When a haul of herrings takes valuable manpower from the forces, and is gathered in at the peril of men’s lives by bomb and mine and machine gun, we read a new significance into those gloomy words which appear so often in the fishmonger’s shop: NO FISH TODAY….We have had to learn the bitter lesson that in all the world there are only two sources of real wealth: the fruit of the earth and the labor of men; and to estimate work not by the money it brings to the producer, but by the worth of the thing that is made.

Read the full article here.

Categories
History

The Second World War, Popular Culture and Cultural Memory (Call for Papers)

13 July 2011 – 15 July 2011

Few historical events have resonated as fully in modern British popular culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism & propaganda, architecture, music and literature. The war’s institutionalised commemoration and remembrance fuels a museum and heritage industry whose work often benefits from the latest internet technology for maximum dissemination to educational institutions and the general public. In fact, the popular culture of the war is a cornerstone of its afterlife. The Second World War remains an easy point of reference for exhortations about public behaviour, from terrorist attacks (‘London can take it!’) to coping with credit crunch austerity (‘Make do and mend’).

This interdisciplinary conference will examine popular culture of the Second World War on the home front and in British theatres of war abroad. Defining popular culture in its widest sense – as both a ‘way of life’ and as ‘cultural texts’ – the conference will explore both wartime popular culture and its post-war legacy. We invite established scholars, museum curators, media practitioners and postgraduate researchers from a wide range of disciplines to contribute to a lively debate about the role and meaning of popular culture both during the war and in the cultural memory of the Second World War in Britain and elsewhere.

Keynote Speakers:

Professor Jim Aulich (Manchester Metropolitan University, UK), Professor Susan R. Grayzel (University of Mississippi, USA), Professor Gill Plain (University of St Andrews, UK)

Organiser(s):Lucy Noakes (University of Brighton,UK), Juliette Pattinson, (Strathclyde University, UK), Petra Rau, (Portsmouth University, UK))
Event Location: University of Brighton Brighton BN2 9TN, United Kingdom
Call for Papers details
Call for papers deadline:

31 January 2011

We welcome proposals for individual 20 minute papers as well as submissions for panels of three speakers and a Chair. Possible topics and panels may include but are not limited to:

  • Popular culture in commemorative and museal practices
  • Popular culture in/of combatant, Prisoner of War and internee life
  • Posters, propaganda, broadcasting
  • Entertainment in WW2
  • WW2 in children’s literature and media
  • Contemporary merchandising of WW2 culture and memorabilia
  • Total war, war culture and popular culture
  • The ‘people’s war’ in lived experience and in cultural texts
  • Representations of national identity and ‘the enemy’
  • Death, grief and bereavement in wartime and post-war popular culture
  • Material culture of the war and its afterlife
  • Representations of the British popular culture of the war abroad
  • Fashion, Food and retro-merchandising
  • Neo historical novels, war films, ‘militainment’
  • Forgotten aspects of wartime popular culture

There may be bursaries for postgraduates and independent scholars.

Please send abstracts of no more than 300 words to:  ww2conference@brighton.ac.uk

Deadline:  31 January 2011

Contact details
Lucy Noakes
01273 643311
School of Humanities University of Brighton 10-11 Pavilion Parade Brighton BN2 9TN United Kingdom
01273 681935
Juliette Pattinson
Categories
History

What could @HeathrowAirport learn from the Blitz?

The image below looks rather familiar from all the images at Heathrow Airport over the last few days (thankfully I was able to get home, and not get stuck there).  The story has just run on BBC London News, investigating Christmas 1940 down the Tube. Initially customers had to break down barriers as officials weren’t letting them in, then they commandeered space (nights only!), anything they could use for coverings, etc., originally chaos, but then the Government got on board and started to bring food packages down, deal with sewage, etc…

Thankfully don’t think Heathrow has that issue with the sewage, but the lack of information there on Saturday (yes, I was supposed to fly to Cairo on the 18th, having another go tomorrow 5pm, aiming to get to the airport by 12!) was pretty awful. Essentially the message was “Go home, try ba.com, which tells you to ring an 0800 number”, but we didn’t get this message until we’d been in the Terminal for nearly 2 hours (yes, there was ‘Please ring 0800’, but the long queue was assumed to be for rebooking and no one was telling us otherwise…!)…

Meantime, I was wearing my ‘Keep Calm and Carry On’ jumper at the airport, and will be again tomorrow… have definitely had to employ that over the last couple of days!!